Perspectives Intrinsèques brings together artists whose practices explore the subtle links between the inner world and the perception of the outer world. Through sculpture, glass, ceramics, textile, painting, and installation, the exhibition invites visitors to journey through sensitive landscapes where matter becomes language.

The sea horizon acts as a vanishing point toward elsewhere and freedom. Water becomes a guiding thread: it connects the infinitely small (organic structures, microscopic forms of life) to the infinitely large — landscapes, memory, and mental spaces.

Between transparency and density, fragility and power, the works on display question our way of inhabiting the world. They call upon both sight and touch, opening a constant dialogue between contemplation, sensation, and imagination.

Clare Dudeney's woven ceramics play with color, repetition, and materiality. By reinterpreting craft gestures traditionally associated with the home and domestic practices, the artist transforms ceramic into a contemporary textile language, both delicate and structured.

Through the monotype technique, Camille Pozzo Di Borgo reveals a marine world invisible to the naked eye. Her works evoke underwater depths and the fascinating architectures of living organisms, between sensory immersion and scientific exploration.

Carla Gimbatti's sculptures originate in the lands of Patagonia, where the artist harvests her own clays. Transformed into mineral forms, her pieces seem to move across the walls like the motion of a tide or a silent undertow.

Antoine Leclercq's abstract forms express the tensions and impulses that run through human existence. Between bronze and Corten steel, his sculptures explore the relationships between body and mind, movement and balance.

In his practice blending painting, installation, and performance, Bao Vuong works with memory and buried narratives. His black monochrome series The Crossing invites a contemplative experience in which light emerges from darkness. Between presence and disappearance, softness and roughness, the works become spaces of intimate projection where each viewer can confront their own story.

Founded in Barcelona by Elisabet Urpí and Nacho Umpierrez, studio ELIURPI develops a world at the crossroads of art, design, and architecture. Their raffia creations reinterpret traditional textile know-how to give rise to airy, organic, and shifting sculptures.

Finally, Antoine Pierini draws on Mediterranean heritage and Greco-Roman culture to reinvent ancient forms through glass. Between contemporary glassmaking techniques and archaeological references, his works compose a dreamlike Mediterranean in which light, nature, and memory engage in a permanent tension between beauty and mystery.